I wrote about the underrated Dio at Donington UK: Live 1983 & 1987 for Stacks. The 1987 version of “The Last in Line” is definitive.
By 1987, Dio was well established, headlining arenas throughout the world. There is less to prove for everyone involved, and the need for the legacy songs to carry the weight of the set has changed. This is ably illustrated by Dio cutting Sabbath’s “Children of the Sea” from a six-minute crowd-pleaser to a minute long intro to a hits medley; likewise, “Heaven and Hell” moves from the 11-minute centerpiece of audience call and response to a three-minute part of that same medley. This is about Dio, and while the nods to the past the present is the focal point.